The NSA Story Should Be Dead... But Don't Bet On It
Don't bet on it. Logic and consistency are not requirements for the left-wing of the Democratic Party or for their accomplices in the MSM.
Thoughts on Politics, Law, Literature, Culture, Sports, and Anything Else I Have An Opinion About
The italics are mine, and the italics are all that really matters, because the italicized qualification that says that there is "no evidence" of any illegality or abuse related to the program means, well, that there's no evidence. Where I practice law, "no evidence" means no evidence, nada, zippo, case is over, go home. What it should mean to a newspaper editor is "where's the story, here, you lame-o, how about going out and finding some real news!"
What it apparently means nowadays, however, is that "although there is nothing to report that news organizations in the past would have judged to be 'news,' we are going to report on paranoid suspicions of things that might happen sometime in the future, because we don't like the President and want the Democrats to win Congress in 2006 so they can impeach him and get back at the GOP for Monica Lewinsky."
This NSA program is entirely legal -- see the 1979 Supreme Court case of Smith v. Maryland, where the Court held that information about telephone numbers called is essentially billing information, which the customer has no reasonable expectation of privacy regarding, and which, in fact, belongs to the phone companies, not to the customer. However, it is (was) classified, so the real story, if the WaPo wanted to go this route, would be to ask who committed a very serious crime that threatens our national security by revealing the existence of a classified NSA program. Fat chance.
Notably, I am leaving out a number of Disney cartoon features that dot the list as well, including Snow White and the Seven Dwarfs, 101 Dalmations, Fantasia, and The Jungle Book, all of which are in the top 27 films of all time in inflation-adjusted dollars.
Notably, too, these figures are inflation-adjusted, but not population-adjusted. A pro-Christian film like The Robe or Ben-Hur that grossed $400 or $600 million in the 1950s would gross closer to $1 billion in a country that, today, is twice the size.
The question I have is the following: aren't most major studios owned by publicly-traded corporations? And, don't the boards of directors of those publicly-traded corporations owe fiduciary duties to their stockholders to try to maximize their profits? It sure seems to me that the boards of directors who ultimately run the studios aren't doing their jobs very well if they are ignoring opportunities for profit represented by pro-Christian, pro-American films.